Haar is her first solo exhibition in twelve years: ten large pigment prints in which piers, lights, boats and people thin out into the same pale grey. Nothing is staged and nothing is added. Innes works with a medium-format camera on a tripod, often making a single exposure in a morning.
The prints are made by the artist in Edinburgh and hung low, at the height of the sea wall, so the fog sits at eye level. The exhibition continues upstairs with contact sheets and her field notebooks from 2021 onwards.
“The haar doesn’t hide the coast. It lets you see it one thing at a time.”